(Mateo Gil poster signing at the BASE)
day of sun, heat. Day of directors with experience and different experiences. Production day of lessons. They agreed on the same evening Mateo Gil, Daniel Sánchez Arévalo and José Antonio Felez. Mateo Gil is the example of the director who launched the world without being wrapped, directly to the lions. And famous writer known for his collaborations with Amenábar, Mateo sometimes regrets having led Nobody knows anybody. Eleven years separate the experience of his second, Blackthorn, about to debut. Eleven years, many scripts, many disappointments, many times. And a lot of experience. Matthew knows that despite his 38 years, is a director trained in another time and must make an effort to understand, learn and benefit from new forms of filmmaking, the freedom they offer, but be aware that what Best late. The best of his talk, aparte de disfrutar de anécdotas de sus principios y sobre todo del rodaje en Bolivia de su último trabajo, fue sacar la conclusión de que si sabes aprovechar el tiempo que vives las posibilidades de hacer cine en múltiples formatos es infinita.
Un rato mas tarde el diálogo entre José Antonio Felez, productor y Daniel Sánchez Arévalo director, permitió comprobar como un director que empieza y consigue establecer una complicidad absoluta con su productor, puede construir una carrera sólida y continuada como la suya. Aunque ahí estaba Felez para contar que las cosas han cambiado y que una película como Azuloscurocasinegro, ahora no sería fácil de hacer. La producción de cine en España está changing and no longer can count on funding according to movies. Felez production gave a lesson and despite the pessimism offered solutions to overcome the present moment.
To conclude an entertaining dinner with them at just about the future of humanity and the end of the world. Things film. Tomorrow more
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