(the rose is a fundamental element in the film by Powell, the rope is a good symbol of the mess that lives Matt Damon)
hidden destination is based on a story by Philip K. Dick published in 1954, during the Cold War, in an age of conspiracies, with the witch hunt in full swing. Adapt to the reality of our days required a great deal of retraining. You could not keep that "adjustment company" as it works in the story. Had to Angelized. And history, could not rely on a matter of "personal maladjustment," had to invent something else. And that's where Nolfi, the screenwriter and director, found the vein of romanticism. Sergi Sánchez Nolfi claims that had not been more inspired in fou love movies and surreal as the dream of eternal love Hathaway. I however, think that in fact what inspired the writer is a film of Crossed Destinies deeply romantic, A life and death of Michael Powell. In Powell's film, shot in 1947 in a beautiful color and black and white, David Niven is Peter, a British driver in a burning plane in 1945. Peter has no parachute and his last conversation with a young American, June, which has a control tower trying to help save. Niven vacuum is pulled and .... appears on a beach. Not dead. We will soon know why. The angel in charge of picked up and driven to heaven, he lost in the fog. Niven has a gift hours which did not count and in those hours worked falls madly in June to recognizing as he sees it. That love was not destined to happen. That love overturned everything. This love, which is above life and death, makes the great judge of heaven (sky deliciously historicist where Powell takes to make an adjustment of accounts between England and America), decides to give it another chance with Peter. Does that sound argument? Is it like Target or not hidden? Saving all distances, of course, between an unclassified film in its artificiality and a movie that plays to metaphysical realism, with hat included.
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